West side story i feel pretty - Hollywood Minds

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Friday, September 25, 2020

West side story i feel pretty

The New York Times explained that "Mr. Sondheim…has said he was never particularly fond of his lyrics in 'West Side Story,' especially 'I Feel Pretty'", later expressing that "The idea of the song is so simple"
I Feel Pretty" is a song from the 1957 musical West Side Story. 



West side story i feel pretty

The song has been covered by many artists, including Annie Ross and Julie Andrews. Little Richard covered the song as part of the 1996 RCA Victor tribute album The Songs of West Side Story. The song was mashed up with the song "Unpretty" by TLC in a Glee episode to create "I Feel Pretty/Unpretty", a duet that attempts to show the irony in people feeling pretty on the outside but unpretty on the inside.

Artists: Joanne Miya, Suzie Kaye, Marni Nixon, Yvonne Othon 
Movie: West Side Story 
Released: 1961

West side story i feel pretty lyrics

MARIA
I feel pretty,
Oh, so pretty,
I feel pretty and witty and gay!
And I pity
Any girl who isn't me tonight.

I feel charming,
Oh, so charming
It's alarming how charming I feel!
And so pretty
That I hardly can believe I'm real.

See the pretty girl in that mirror there:
Who can that attractive girl be?
Such a pretty face,
Such a pretty dress,
Such a pretty smile,
Such a pretty me!

I feel stunning
And entrancing,
Feel like running and dancing for joy,
For I'm loved
By a pretty wonderful boy!

GIRLS
Have you met my good friend Maria,
The craziest girl on the block?
You'll know her the minute you see her,
She's the one who is in an advanced state of shock.

She thinks she's in love.
She thinks she's in Spain.
She isn't in love,
She's merely insane.

It must be the heat
Or some rare disease,
Or too much to eat
Or maybe it's fleas.

Keep away from her,
Send for Chino!
This is not the
Maria we know!

Modest and pure,
Polite and refined,
Well-bred and mature
And out of her mind!

MARIA
I feel pretty,
Oh, so pretty
That the city should give me its key.
A committee
Should be organized to honor me.

GIRLS
La la la la . . .

MARIA
I feel dizzy,
I feel sunny,
I feel fizzy and funny and fine,
And so pretty,
Miss America can just resign!

GIRLS
La la la la . . .

MARIA
See the pretty girl in that mirror there:

GIRLS
What mirror where?

MARIA
Who can that attractive girl be?

GIRLS

Which? What? Where? Whom?

MARIA
Such a pretty face,
Such a pretty dress,
Such a pretty smile,
Such a pretty me!

GIRLS
Such a pretty me!

ALL
I feel stunning
And entrancing,
Feel like running and dancing for joy,
For I'm loved 
By a pretty wonderful boy!  

West side story lyricist

Stephen Sondheim

Dec. 28, 2010, Stephen Sondheim finds the music from "West Side Story," one of the most revered musicals of all time, downright "embarrassing." And he should know. He wrote the lyrics. "It embarrasses me," he said. "It's very hard for me to listen to some of those songs." Only a man who has won eight Tony Awards, two Grammys, a Pulitzer Prize and an Oscar could get away with saying something like that. That man is the 80-year-old composer-lyricist, Stephen Sondheim.

He is a true Broadway legend. Most theater buffs have heard (or sung) at least one of Sondheim's most famous scores, which include, "Sweeney Todd," "A Funny Thing Happened on the Way to the Forum," "Into the Woods," "Company," "Sunday in the Park with George," "Assassins" and "Follies." He also wrote the lyrics for "Gypsy" and then, of course, "West Side Story." There's even a Broadway theater named after him. Earlier this year, the Henry Miller Theater on West 43rd Street in New York City became the Stephen Sondheim Theater, another event in his career that the composer was somewhat uncomfortable with.

There is one bad song in particular that stands out for Sondheim, one that Jack Nicholson turned into a hilarious parody in the film, "Anger Management," as many others have done.

"I'm fond of quoting 'I Feel Pretty,'" Sondheim said. "The street girl is singing, 'It's alarming how charming I feel.' ... I just put my head under my wing and pretend I'm not there."

Although all of the composer's great work has continued to live on and be celebrated, he said being immortalized isn't important to him.

"I'm one of those people why doesn't care about posterity," he said. "There are people who care; I couldn't care less what happens to my stuff after I die because I won't be around to enjoy it."  
 

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